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Podcasts are yet another form that the record of the life of a company can take, and it is only a matter of time before the Securities and Exchange Commission (SEC) or another federal agency uses the content of a podcast as a reason for levying a fine. Here, then, is where your corporate lawyers will probably tell you, when you broach the question of using podcasts internally or externally, that podcasting is a bad idea because it increases the risks faced by the company. Keep in mind, though, that they ve said this about e-mail, Web pages, and even the telephone and internal memos, too. Used judiciously, podcasts can be a vital new channel of communication among your employees and partners. We re not suggesting that you record every word spoken in meetings and distribute them to folks who missed the appointment. That would be overkill and likely, based on the incredibly stupid things people say during meetings, would be potentially dangerous the jokes like If we just took the safety restraints off this car, it would go 250 miles per hour on the highway. . . . Sure, some people would die, but think of the sales in the youth market! are the raw material of lawsuits when recorded. The main concern lies with public companies that are required by law to disclose material information in a timely manner to investors. Podcasts intended for internal distribution that are improperly secured, for example, could be interpreted to be public. So imagine, for instance, that your sales briefing podcast describes next quarter s new products and an unexpected decrease in price for the product that s responsible for 90 percent of your company s revenue. When do you tell the public

Table 2.2 Gelatinisation temperatures of starches from different cereals. Gelatinisation temperature ( C) 61 62 70 80 55 60 70 80 60 65 70 80 52 54

# Notice that the variable is not explicitly # referenced (via \ ) because it is already # a reference $pd->data ($stamps); $pd->save; $result_html = User at ip . $comment->ip. will be given a cool-down period. ; } else { $result_html = Unknown comment ; } $result_html; }

5. Choose the Library category, the last icon on the left side of the Assets panel. 6. Click New Library Item from the bottom row of the Assets panel. 7. Dreamweaver reminds you that the Library item may not look the same when inserted in other

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he use of layers is one of the most powerful concepts in Photoshop. Layers are so important that a comprehensive main menu and a full palette are dedicated to working with them. Even with all these controls, you must remember that working with layers is more than a set of commands and options: Using layers is a workflow methodology. Layers in Photoshop allow you to build flexibility into your editing workflow so that you re able to keep your future options open. You do this by placing important image information on separate layers. Understanding how layers work in Photoshop will change the way you work with important images forever. In this chapter, I get you up to speed with the whole concept of layers and how to work with them in Photoshop. I cover everything from creating layers in a variety of ways to different ways of merging multiple layers and flattening all layers. By the end of this chapter, you ll be ready to take advantage of some of the techniques I share in later chapters. Because the use of layers is central to much of what we do later, this is one of the more important chapters in this book. Even if you already feel comfortable with layers in Photoshop, I suggest you review this chapter as a refresher. You may even pick up a new trick or two.

Select the Import from another program or le option (see Figure 10-9).

You can fade an entire video clip or still image over a video clip or another still image. The top video clip or still image is faded over the bottom one. When you fade a video clip or still image, you are changing the opacity of the clip or image. Any video track, except for Video Track 1, can be used as a superimposed track and can be faded. Premiere s Fade option appears when you expand a video track. When a video track is expanded, you can display the fade line (the Opacity Rubberband line) by clicking the Opacity Rubberband icon, which is found underneath a clip or image when the track is expanded.

For example, code for creating a New menu item and scripting a routine that opens a dialog box where custom values for page sizes are added, see the JavaScript 8 Scripting Reference at http://partners.adobe.com/asn/acrobat/docs.jsp#javascript. Note that the Web location may change so be certain to search Adobe s Web site if you don t find the document at this URL.

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9. Drag the current-time indicator forward to 1 second. 10. Move your object again. A keyframe is automatically created (see Figure 9.2). 11. Slide the current-time indicator between the keyframes, or play back this simple animation to watch how tweening works.

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